City Of God Full Movie Download With English Subtitles

2002 film

City of God
CidadedeDeus.jpg

Original poster
Portuguese Cidade de Deus
Directed by
  • Fernando Meirelles
  • Kátia Lund
Written by Bráulio Mantovani
Based on City of God
by Paulo Lins
Produced by
  • Andrea Barata Ribeiro
  • Maurício Andrade Ramos
Starring
  • Alexandre Rodrigues
  • Leandro Firmino da Hora
  • Jonathan Haagensen
  • Phellipe Haagensen
  • Douglas Silva
  • Daniel Zettel
  • Seu Jorge
Cinematography César Charlone
Edited by Daniel Rezende
Music by
  • Antônio Pinto
  • Ed Cortês

Production
companies
  • O2 Filmes
  • VideoFilmes
  • Hank Levine Film
  • Globo Filmes
Distributed by Miramax Films[1] (through Lumière Pictures[2])

Release dates
  • xviii May 2002 (2002-05-xviii) (Cannes)
  • 30 August 2002 (2002-08-30) (Brazil)

Running time

 130 minutes
State Brazil
Language Portuguese
Budget $3.3 million[3]
Box function $30.6 million[4]

City of God (Portuguese: Cidade de Deus ) is a 2002 Brazilian crime moving-picture show co-directed by Fernando Meirelles and Kátia Lund, released in its home country in 2002 and worldwide in 2003. Bráulio Mantovani adapted the story from the 1997 novel of the same proper noun written by Paulo Lins, merely the plot is loosely based on real events. Information technology depicts the growth of organized crime in the Cidade de Deus suburb of Rio de Janeiro, betwixt the end of the 1960s and the outset of the 1980s, with the picture show's closure depicting the war between the drug dealer Li'fifty Zé and vigilante-turned-criminal Knockout Ned. The tagline is "If y'all run, the animate being catches y'all; if yous stay, the beast eats you."

The bandage includes Alexandre Rodrigues, Leandro Firmino da Hora, Phellipe Haagensen, Douglas Silva, Alice Braga, and Seu Jorge. Most of the actors were, in fact, residents of favelas such as Vidigal and the Cidade de Deus itself.

The film received widespread disquisitional acclaim and was nominated for 4 University Awards in 2004: Best Cinematography (César Charlone), Best Managing director (Meirelles), Best Film Editing (Daniel Rezende), and Best Writing (Adjusted Screenplay) (Mantovani). In 2003, information technology was Brazil'south entry for the Academy Award for All-time Strange Language Moving picture, only it did not cease up existence nominated as 1 of the five finalists. It is frequently listed by many critics and audiences every bit one of the greatest films of the 21st century and one of the best films of all time.

Meirelles and Lund went on to create the Urban center of Men TV series and film Urban center of Men (2007), which share some of the actors (notably leads Silva and Darlan Cunha) and their setting with Urban center of God.

Plot [edit]

The film begins in medias res with an armed gang chasing after an escaped chicken in a favela called the Cidade de Deus ("City of God"). The chicken stops between the gang and the narrator, a young man nicknamed Rocket ("Buscapé").

The film flashes back to the 1960s where the favela is shown as a newly built housing project with few resources. Three impoverished, amateur thieves known as the "Tender Trio" – Shaggy ("Cabeleira"), Clipper ("Alicate"), and Rocket'south older blood brother, Goose ("Marreco") – rob business owners and share the money with the customs who, in turn, hide them from the police. Li'50 Dice (Dadinho), a young male child, convinces them to hold upwardly a motel and rob its occupants.

The gang resolves non to kill anyone and tells Li'fifty Dice to serve as a sentry. Instead, Li'fifty Dice guns downwardly the motel occupants after falsely alarm the trio that the police are coming. The massacre attracts so much police attention that the trio is forced to split up: Clipper joins the Church, Shaggy is shot by the police while trying to escape the favela, and Goose is shot by Li'l Die after taking his coin while Li'l Dice's friend Benny (Bené), Shaggy's brother, watches.

In the 1970s, the favela has been transformed into an urban jungle. Rocket has joined a group of immature hippies. He enjoys photography and likes 1 girl, Angélica, just his endeavor to get close to her is ruined past a gang of lilliputian criminal kids known every bit "The Runts". Li'l Dice, who now calls himself "Li'l Zé" ("Zé Pequeno"), has established a drug empire with Benny by eliminating all of the competition, except for Carrot, who is a proficient friend of Benny'south.

Li'l Zé takes over 'the flat', a known drug distribution centre, and forces Carrot's manager Blacky ("Neguinho"), to piece of work for him instead. Coincidentally, Rocket visits the apartment to get some drugs off Blacky for Angélica during the flat raid. Through narration, Rocket momentarily considers attempting to kill Li'fifty Zé to avenge his brother but decides against information technology. He is permit go subsequently Benny tells Li'l Zé that Rocket is Goose'southward brother.

Sometime later, a relative peace comes over the City of God under the reign of Li'l Zé, who manages to avoid police attention. Benny decides to branch out of the drug dealer crowd and befriends Tiago, Angélica'south ex-boyfriend, who introduces him to his (and Rocket's) friend group. Benny and Angélica begin dating. Together, they decide to get out the City and the drug trade.

During Benny'due south farewell party, Zé and Benny get into an statement. Blacky accidentally kills Benny while trying to shoot Li'l Zé. Benny's decease leaves Li'50 Zé unchecked. Carrot kills Blacky for endangering his life. Li'l Zé and a group of his soldiers commencement to brand their fashion to Carrot's hideout to impale him.

On the way, Zé follows a daughter who dismissed his advances at Benny'due south party. He beats up her young man, a peaceful human named Knockout Ned (Mané Galinha), and rapes her. Later on Ned's brother stabs Li'l Zé, his gang retaliates by shooting into his business firm, killing his brother and uncle in the procedure. A gang war breaks out between Carrot and Li'fifty Zé. A vengeful Ned sides with Carrot.

The war is still ongoing a year afterwards, in 1981, the origin forgotten. Both sides enlist more "soldiers" and Li'l Zé gives the Runts weapons. I day, Li'l Zé has Rocket take photos of him and his gang. A reporter publishes the photos, a meaning scoop since no outsiders can safely enter the City of God anymore. Rocket believes his life is endangered, as he thinks Li'l Zé volition kill him for publishing the photo of him and his gang. The reporter takes Rocket in for the dark, and he loses his virginity to her. Unbeknownst to him, Li'fifty Zé, jealous of Ned's media fame, is pleased with the photos and with his own increased notoriety.

Rocket returns to the City for more photographs, bringing the moving picture back to its opening scene. Confronted past the gang, Rocket is surprised that Zé asks him to take pictures, but as he prepares to have the photograph, the police arrive and and so drive off when Carrot'south gang arrives. In the ensuing gunfight, Ned is killed past a male child who has infiltrated his gang to avenge his begetter, a policeman whom Ned has shot. The police force capture Li'fifty Zé and Carrot and programme to evidence Carrot off to the media. Since Li'l Zé has been bribing the law, they accept all of Li'fifty Zé's money and let him become, but Rocket secretly photographs the scene. The Runts murder Zé to avenge the Runt murdered at the bidding of Zé; they intend to run his criminal enterprise themselves.

Rocket contemplates whether to publish the cops' photo, expose corruption, and become famous, or the moving-picture show of Li'l Zé'south dead torso, which volition get him an internship at the newspaper. He decides on the latter, fearing a violent response from the cops, as well as seeing the opportunity to pursue his dream. The film ends with the Runts walking around the Urban center of God, making a hitting listing of the dealers they plan to kill to take over the drug business, including the Blood-red Brigade.

Cast [edit]

Many characters are known only by nicknames. The literal translation of these nicknames is given side by side to their original Portuguese name; the names given in English subtitles are sometimes dissimilar.

Name Actor(s) Name in English language subtitles Description
Buscapé ("Firecracker") Alexandre Rodrigues (adult)
Luis Otávio (child)		 Rocket The narrator, who dreams of becoming a photographer. His real name is Wilson Rodrigues.
Zé Pequeno ("Lil Zé")
Dadinho ("Lil Die")		 Leandro Firmino da Hora (developed)
Douglas Silva (kid)		 Li'l Zé
Li'l Dice		 A power-hungry, sociopath who takes sadistic pleasure in killing. "Dado" is a common nickname for Eduardo and means "dice", and "inho" a atomic suffix. As an adult, he is given the name Zé Pequeno in a Candomblé ceremony, which may exist unrelated to his actual proper name. Zé is a nickname for José, while pequeno ways "lilliputian".
Bené ("Benny") Phellipe Haagensen (adult)
Michel de Souza Gomes (child)		 Benny Zé'south longtime partner in crime, he is a friendly City of God drug dealer who fancies himself a sort of Robin Hood, and eventually wants to pb an honest life.
Sandro, nicknamed Cenoura ("Carrot") Matheus Nachtergaele Carrot A smaller-calibration drug dealer who is friendly with Benny but is constantly threatened past Zé.
Mané Galinha ("Chicken Manny") Seu Jorge Knockout Ned A handsome, charismatic ladies' human. Zé rapes Ned's girlfriend and then proceeds to kill several members of Ned's family. Ned joins forces with Carrot to retaliate against Zé. His name was changed for the English subtitles because in English, "craven" is a term for a coward (in Brazil information technology denotes popularity amidst women). "Mané" is a nickname for Manuel.
Cabeleira ("Long Hair") Jonathan Haagensen Shaggy Older brother of Bené ("Benny") and the leader of the Tender Trio ("Trio Ternura"), a group of thieves who share their profits with the population of the City of God.
Berenice Roberta Rodrigues Berenice Shaggy's Girlfriend.
Marreco ("Garganey") Renato de Souza Goose One of the Tender Trio, and Rocket's blood brother.
Alicate ("Pliers") Jefechander Suplino Clipper One of the Tender Trio. He subsequently gives up crime to join the Church building and is not seen for the residuum of the movie, he is the but ane of the trio who was not murdered.[5]
Barbantinho ("Little twine") Edson Oliveira (adult)
Emerson Gomes (kid)		 Stringy Childhood friend of Rocket.
Angélica Alice Braga Angélica A friend and dear interest of Rocket, and later Benny's girlfriend, who motivates Benny to abandon the criminal life.
Tiago Daniel Zettel Tiago Angélica's ex-fellow, who later becomes Li'l Zé's acquaintance and a drug addict.
Filé com Fritas ("Steak with Fries") Darlan Cunha Steak with Fries A young boy who joins Zé's gang.
Charles, nicknamed Tio Sam ("Uncle Sam") Charles Paraventi Charles / Uncle Sam A weapons dealer.
Marina Cintra Graziella Moretto Marina Cintra A journalist for Jornal practice Brasil, who hires Rocket as a lensman.
Touro ("Bull") Luiz Carlos Ribeiro Seixas Touro An honest police officer.
Cabeção ("Big Head") Maurício Marques Melonhead A corrupt police officeholder.
Lampião ("Lantern") Thiago Martins Lampião Child leader of the Runts gang.
Otávio Marcos Junqueira Otávio Child leader of the Runts gang.

Production [edit]

On the bonus DVD, it is revealed that the only professional actor with years of filming experience was Matheus Nachtergaele, who played the supporting part of Carrot.[six] Most of the remaining cast were from real-life favelas, and in some cases, even the real-life City of God favela itself. Co-ordinate to Meirelles, amateur actors were used for two reasons: the lack of bachelor professional person black actors, and the want for actuality. Meirelles explained: "Today I can open up a casting telephone call and have 500 black actors, only just ten years agone this possibility did not exist. In Brazil, there were three or four young black actors and at the same time I felt that actors from the middle form could non make the film. I needed authenticity."[7]

Start around 2000, virtually a hundred children and immature people were hand-picked and placed into an "actors' workshop" for several months. In contrast to more traditional methods (e.g. studying theatre and rehearsing), it focused on simulating authentic street state of war scenes, such as a concord-up, scuffle, and shoot-out. A lot came from improvisation, as it was thought better to create an authentic, gritty atmosphere. This manner, the inexperienced cast soon learned to move and act naturally. After filming, the crew could non leave the cast to render to their onetime lives in the favelas. Help groups were gear up up to assist those involved in the production to build more promising futures.[8] : 135–139

Meirelles went into the flick with the intention of staying true to the "casual nature" of the violence in the novel by Lins. Critic Jean Oppenheimer wrote on the production of the film maxim that: "A 2d guiding principle was to avoid glamorising the violence" and that "many of the killings are either shown indistinctly or kept out of frame."[8] : 26–32

Because the real Cidade de Deus favela was in disharmonize, a large majority of the film was shot in Cidade Alta, a dissimilar favela within Rio. During the production, slumlords did not allow for the production company to take their ain security, and then local security guards were hired for the condom of the set.[9]

Lund and Meirelles filmed the brusk moving-picture show Gold Gate every bit a test run[6] while casting for Urban center of God was in the initial stages.[10]

Reception [edit]

Box office [edit]

The movie was screened out of competition at the 2002 Cannes Moving picture Festival.[11] In Brazil, City of God garnered the largest audience for a domestic moving picture in 2003, with over three.1 million tickets sold, and a gross of R$18.6 million ($ten.3 million).[12] The pic grossed over $7.five million in the U.S. and over U.s.a.$xxx.5 one thousand thousand worldwide.[13]

Critical response [edit]

On Rotten Tomatoes, City of God has an approval rating of 91% based on reviews from 163 critics, with an boilerplate rating of 8.3/x. The website'due south consensus reads, "Urban center of God offers a shocking and disturbing—but always compelling—look at life in the slums of Rio de Janeiro."[xiv] On Metacritic, the film holds a score of 79 out of 100 based on 33 critic reviews, indicating "generally favorable reviews".[15]

Colin Kennedy from Empire awarded the film a full v out of v stars, comparing information technology favorably to Goodfellas and writing in his review, "At in one case a laboratory for movie theatre technique and a victory for raw heart, this is a snot-nosed, blood-stained masterpiece. If yous see fifty-fifty ane or two better movies this year, you will be very lucky indeed."[16] In 2008, the magazine chose City of God every bit the 177th best film of all fourth dimension.[17]

Film critic Roger Ebert awarded the film 4 stars out of 4, writing in his review, "City of God churns with furious energy as information technology plunges into the story of the slum gangs of Rio de Janeiro. Breathtaking and terrifying, urgently involved with its characters, it announces a new director of great gifts and passions: Fernando Meirelles. Think the proper noun."[18] [xix]

Filmmaker Robert Altman stated, "I don't know how Fernando Meirelles made Urban center Of God. Information technology's and so courageous, so true. I think it's the best picture I've ever seen".[20] Meirelles himself cited Altman'south work as an influence on his own career.[21]

The film was not without criticism. Peter Rainer of New York magazine stated that while the film was "powerful", it was also "rather numbing".[22] John Powers of LA Weekly wrote that "[the picture show] whirs with energy for nigh its full 130-minute running fourth dimension, it is oddly lacking in emotional heft for a work that aspires to be so epic – information technology is essentially a tarted up exploitation picture whose business organization is to make ghastly things fun".[23]

Ivana Bentes, a Brazilian picture show critic, criticised the film for its delineation of the favela and her view that it glorified issues of poverty and violence equally means of "domestication of the most radical themes of culture and Brazilian cinema ... as products for export."[24] Bentes targets the film specifically in maxim that: "Metropolis of God promotes tourism in hell".[25]

Metropolis of God was ranked No.3 in Film4's "50 Films to See Before Y'all Die", and No.vii in Empire magazine'south "The 100 Best Films of Globe Cinema" in 2010.[26] It was also ranked No.6 on The Guardian 'south listing of "the 25 All-time Action Movies E'er".[27] [28] It was ranked No.1 in Paste magazine's 50 best movies of the decade of the 2000s.[29] Time listed it every bit i of the 100 greatest films of all time.[xxx] [31]

In 2012, the Flick Editors Guild listed City of God as the 17th best-edited movie of all time based on a survey of its members.[32]

Top 10 lists [edit]

The film appeared on several American critics' top ten lists of the all-time films of 2003.[33]

  • 2nd – Chicago Sun-Times (Roger Ebert) (for 2002)
  • 2nd – The Charlotte Observer (Lawrence Toppman)
  • 2nd – Chicago Tribune (Marc Caro)
  • quaternary – New York Post (Jonathan Foreman)
  • 4th – Time (Richard Corliss)
  • 5th – Portland Oregonian (Shawn Levy)
  • 7th – Chicago Tribune (Michael Wilmington)
  • 10th – The Hollywood Reporter (Michael Rechtshaffen)
  • 10th – New York Mail (Megan Lehmann)
  • tenth – The New York Times (Stephen Holden)

It is ranked No.38 on the BBC list of best 100 films of the 21st century.[34]

MV Bill'due south response [edit]

Brazilian rapper MV Bill, a resident of Cidade de Deus, said the moving-picture show had "brought no good to the favela, no social, moral, or homo benefit."[35] He said, "The world will know that they exploited the image of the children who alive here in Cidade de Deus. What is obvious is that they are going to acquit a bigger stigma throughout their lives; it has only get greater because of the film."[8] : 123

Awards and nominations [edit]

Metropolis of God won l-five awards and received another 20-nine nominations. Among those:

Organization Honour Recipient Effect Ref
Academy Awards Best Managing director Fernando Meirelles Nominated [36]
Best Adapted Screenplay Bráulio Mantovani Nominated
All-time Cinematography César Charlone Nominated
Best Film Editing Daniel Rezende Nominated
AFI Fest Audience Award Won [37]
Broadcast Movie Critics Association Awards Best Foreign Language Film Nominated [38]
British Academy Film Awards Best Editing Daniel Rezende Won [39]
Best Strange Film Andrea Barata Ribeiro, Mauricio Andrade Ramos,
Fernando Meirelles		 Nominated [40]
British Independent Film Awards Best Strange Independent Motion-picture show Won [41]
Chicago Film Critics Association Awards All-time Foreign Language Film Won [42]
Golden Globe Awards Best Foreign Language Film Nominated [43]
Gilded Trailer Awards All-time Independent Foreign Picture show Won [44]
Grande Prêmio practice Cinema Brasileiro Best Motion picture Won [45]
Best Manager Fernando Meirelles Won
Best Adapted Screenplay Bráulio Mantovani Won
Best Cinematography César Charlone Won
Best Editing Daniel Rezende Won
Best Sound Guilherme Ayrosa, Paulo Ricardo Nunes,
Alessandro Laroca, Alejandro Quevedo, Carlos Honc,
Roland Thai, Rudy Pi, Adam Sawelson		 Won
All-time Actor Leandro Firmino Nominated [46]
Best Actress Roberta Rodrigues Nominated
Best Supporting Player Jonathan Haagensen Nominated [47]
Best Supporting Player Douglas Silva Nominated
Best Supporting Actress Alice Braga Nominated [48]
Best Supporting Actress Graziela Moretto Nominated
Best Art Direction Tulé Peak Nominated [49]
Best Costume Design Bia Salgado, Inês Salgado Nominated [fifty]
Best Makeup Anna Van Steen Nominated [51]
All-time Soundtrack Antonio Pinto, Ed Côrtes Nominated [52]
Independent Spirit Awards Best Strange Language Film Fernando Meirelles Nominated [53]
Las Vegas Motion picture Critics Guild Awards Best Strange Language Moving-picture show Won [54]
Motion Picture Audio Editors All-time Audio Editing in a Strange Pic Martín Hernández, Roland Due north. Thai, Alessandro Laroca Won [55]
New York Film Critics Circumvolve Awards Best Foreign Linguistic communication Film Won [56]
Prism Awards All-time Theatrical Pic Won [57]
Satellite Awards All-time Foreign Language Film Won [58]
Southeastern Film Critics Association Awards Best Foreign Language Film Won [59]
Toronto Film Critics Association Awards Best Strange Linguistic communication Moving picture Won [lx]
Toronto International Film Festival Visions Honour – Special Citation Won [61]

Music [edit]

The score to the motion picture composed by Antonio Pinto and Ed Córtes. Information technology was followed past ii remix albums. Songs from the film:

  • "Alvorada" (Cartola / Carlos Cachaça / Herminio B. Carvalho) – Cartola
  • "Azul Da Cor Practice Mar" (Tim Maia) – Tim Maia
  • "Dance Across the Flooring" (Harry Wayne Casey / Ronald Finch) – Jimmy Bo Horne
  • "Get Up (I Experience Like Being a) Sex Automobile" (James Brown / Bobby Byrd / Ronald R. Lenhoff) – James Brown
  • "Hold Back the H2o" (Randy Bachman / Robin Bachman / Charles Turner) – Bachman–Turner Overdrive
  • "Hot Pants Road" (Charles Bobbit / James Brownish / St Clair Jr Pinckney) – The J.B.'s
  • "Kung Fu Fighting" (Carl Douglas) – Carl Douglas
  • "Magrelinha" (Luiz Melodia) – Luiz Melodia
  • "Metamorfose Ambulante" (Raul Seixas) – Raul Seixas
  • "Na Rua, Na Chuva, Na Fazenda" (Hyldon) – Hyldon
  • "Nem Vem Que Não Tem" (Carlos Imperial) – Wilson Simonal
  • "O Caminho Do Bem" (Sérgio / Beto / Paulo) – Tim Maia
  • "Preciso Me Encontrar" (Candeia) – Cartola
  • "So Very Difficult to Get" (Emilio Castillo / Stephen M. Kupka) – Tower of Ability

Legacy [edit]

In an interview with Slant Magazine, Meirelles states he had met with Brazil'due south former president Luiz Inácio Lula da Silva who told him nearly the impact the moving-picture show has had on both policies and public security inside the country. The film has also sparked major increment in film productions, with over 45 beingness washed during 2002. Films such as The Motorcycle Diaries and The Intruder are some of the films which have used Brazil for picture product.[62]

The 2013 documentary Metropolis of God – 10 Years Later reunites the cast and crew of City of God and takes a look at how their lives have inverse after the original moving-picture show'south release. In a BBC article written at the time of the documentary's release, Firmino mentions that the bandage had mixed careers after the film's release. Firmino says that Jefechander Suplino, who played Clipper, could non be found by the documentary producers. His mother, all the same, believes him to still exist alive, only is unaware of his whereabouts. Seu Jorge, who played Knockout Ned, had a better career later the film and became a major musician, performing at the London 2012 Olympic Games closing ceremony.[63]

Effectually 40,000 people visit Rocinha (the most tourist-friendly of Rio's favelas) per twelvemonth making it the fourth most visited "allure" in Rio.[64]

See likewise [edit]

  • Docufiction
  • List of docufiction films
  • List of hood films

References [edit]

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External links [edit]

  • Official website (in Portuguese)
  • City of God at IMDb
  • City of God at AllMovie
  • City of God at Box Office Mojo
  • City of God at Rotten Tomatoes
  • City of God at Metacritic

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